Last Dance: American Proms by Gillian Laub
Gillian Laub crossed the country to capture the bittersweet anticipation and excitement of high-school proms for TIME.
Gillian Laub crossed the country to capture the bittersweet anticipation and excitement of high-school proms for TIME.
In the early ’80s Staten Island seemed like a world away from Manhattan. In Chrisitine Osinki’s newly rediscoved photographs, she reveals a time capsule of the growing borough, caught in a state of limbo between New York City and the rest of America. She recently launched a Kickstarter campaign in hopes of turning the archive into a new book.
Joakim Eskildsen’s new body of work explores the poetry of place through the five different homes to which he has moved his family over the past six years.
Present-day Chicago is not Harlem in 1979. Present-day Harlem isn’t even Harlem in 1979. But at the Art Institute of Chicago’s new exhibition Dawoud Bey: Harlem USA, some things have stayed the same.
In her latest projects, currently featured in the 2012 Whitney Biennial, LaToya Ruby Frazier continues to use social documentary as a starting point for her political works of art.
Arthur Tress’ witty and absurdist street photography captures 1960s-era San Francisco as a place caught between Left and Right, old and new, real and surreal. The work is on view at the Fisher Family Gallery of the Fine Arts Museums of San Francisco from March 3 to June 3.
A landscape photographer makes exquisite studies of discarded clothes found at a squatter camp in the New Mexican desert.
Lourdes Jeannette documents the daily life of a group based in Tampa, Florida.
As shooting season begins across the country, TIME looks at one photographer’s series on hunting blinds.
Photojournalist Ty Cacek has been documenting the group since 2009, in an effort to understand how reasonable people come to adopt an unreasonable philosophy of hate.