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© Elliott Erwitt—Magnum
Out There

Elliott Erwitt: Sequentially Yours

The photographer speaks exclusively to TIME about his new book, which presents a series of vignettes that play out like silent movies—touching, funny, sad, irreverent and full of surprise.

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Brooks Kraft / Corbis for TIME
Toolbox

The iPhone 4S: A Professional’s Take

White House photographer Brooks Kraft tests out the improved camera of Apple's latest release.

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©Thomas Ruff. Courtesy David Zwirner, New York
Toolbox

Outer Space: Thomas Ruff’s Altered Reality

A new book and exhibition from the German photographer showcases his use of color on appropriated NASA images.

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Sasha Bezzubov for TIME
Photo Essay

Taking It to the Streets

Sasha Bezzubov captures the crowds and faces of Manhattan's Occupy Wall Street protests.

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Damir Sagoli—Reuters
Closeup

The Best Pictures of the Week, October 7 – October 14

From flooding in Bangkok and the baseball playoffs to Cairo's deadly clashes and the Liberian-flagged Rena cargo ship grounded off New Zealand's coast, TIME’s photo department presents the best images of the week.

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Richard Misrach
Photo Essay

The 1991 Oakland-Berkeley Fire Revisited

On the 20th anniversary of the Bay Area tragedy, photographer Richard Misrach unveils his images of the aftermath for the first time in a new book and twin exhibitions.

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Alexandre Meneghini—AP
Man on the Wire

The Blood of Bird and Beast: The Persistence of Animal Sacrifice

Animal sacrifice is older than history. The rituals continue to this day, as the photographs in this collection show.

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Donovan Wylie—Magnum
Out There

Capturing the Architecture of War Before It’s Gone

Donovan Wylie examines the outposts aiding soldiers during the conflict in Afghanistan.

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Joel Sternfeld—Courtesy of the artist and Luhring Augustine, New York
Out There

Joel Sternfeld: A Modern Master’s First Pictures

A new book published by Steidl sheds light on the color photographer's early work.

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© Phel Steinmetz
Out There

California’s Changing Landscape

A new exhibition explores the fascinating evolution from the sublime, high-contrast style of Ansel Adams' photography to the cool, detached documentary look favored in the 1970s and 1980s.

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