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Man on the Wire

2012: A Year of Deja Vu

TIME embarks on an anthropological dig through our collective visual memory, unearthing images from the last twelve months that awakened in us a familiar sense that we've seen them somewhere before.

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Narciso Contreras—Polaris
Man on the Wire

From the Front Lines: Syria by Narciso Contreras

Over the last five months, TIME has witnessed the emergence of a new voice — that of Mexican-born freelance photographer Narciso Contreras. Here, LightBox showcases Contreras's work from Syria, illustrating his commitment and distinct vision to covering the bloodshed of an intractable war that's stretched through 2012.

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Wang Yiou—Landov
Closeup

Pictures of the Week: December 7 – December 14

From the elementary school shooting in Connecticut and continued protests in Egypt to Syrian refugees in Turkey and the Pope's first tweet, TIME presents the best images of the week.

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Bernat Armangue—AP
Photo Essay

TIME Picks the Top 10 Photos of 2012

TIME presents the top 10 photographs of the year — the images that moved us most in 2012, along with the backstories from the photographers who shot the now iconic frames.

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Peter Hapak for TIME
Photo Essay

TIME’s Best Portraits of 2012

A great portrait captures the very essence of its subject, and this year, TIME continued its long legacy of storytelling with a number of compelling photographs of newsmakers, from politicians and businessmen to comedians and Oscar winners.

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Gabriele Stabile
Out There

Refugee Hotel: Strangers in a Strange Land

Bewildered, exhausted, displaced and lost in their own thoughts, the subjects in Gabriele Stabile's new book, Refugee Hotel, have traveled far and suffered greatly. His photographs document refugees' first nights in America, spent anxiously in generic airport hotels as they await the beginning of their new lives.

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Moises Saman—Magnum for TIME
Photo Essay

TIME’s Best Photojournalism of 2012

Throughout 2012, TIME’s unparalleled photojournalists were there. At a time when so much hangs in the balance, bearing witness can be the most essential act — and that’s what we do. Here's the best of our commissioned photojournalism from 2012.

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Edouard Elias—Getty Images / Aug. 21, 2012
The Backstory

Syria’s Agony: The Photographs That Moved Them Most

As the civil war in Syria reaches even newer levels of horror, TIME asked 28 photojournalists to reflect on their most powerful work from the conflict over the last year. Often directly putting their lives at risk, these photographers have recorded agonizing and traumatic moments for the world to see.

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Ali Ali—EPA
Closeup

Pictures of the Week: November 30 – December 7

From violent protests in Egypt and smugglers tunnels in Gaza to The Duchess of Cambridge's pregnancy and the "Black Marble," — Earth photographed at night from space, TIME presents the best images of the week.

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Omar Mullick
Photo Essay

Reflections in a Pashtun Cinema

Photographer Omar Mullick has spent the last decade passing through the countries of Central Asia on assignment. He reflects on his photographs of a Pashtun cinema in Karachi, a space that defied the preconceived images of the region.

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