Pacifying the Favelas of Rio de Janeiro

Rafael Fabrés
Rafael Fabrés
UPP soldiers Annunciacçâo, Mario Silva and Vidal while on patrol in Sao Carlos. While many think the UPP has helped quell violence by allowing favelas better access to public services such as legal electricity supply, garbage collection, education, and social assistance programs, others see it as a temporary cover-up of larger security problems in Rio de Janeiro.

For the past three years, while preparing for the 2014 World Cup and the 2016 Olympics, Rio de Janeiro has been implementing an innovative safety program focused on so-called “UPP,” or Pacification Police Units, marking a radical shift in how Rio deals with violence and drug trafficking in the city’s “favelas.”

The Pacification units’ mission is to maintain control of favela territory once the local drug trade has been expelled. While many believe that UPPs have helped quell violence by opening the doors of the favelas to public services like legal electricity, garbage collection, education and social assistance programs, others see the UPP as a temporary band-aid on the endemic security problems in Rio de Janeiro.

When the Olympics are over in 2016, critics charge, everything will be as it was — if not worse.

This photography project started in February 2012.

After working for almost two years in Haiti, I decided to pitch a story to the German press agency DPA  covering the occupation of Rio’s shantytowns. My goal is to cover the Pacification process until the end of 2016, in order to gain a deeper perspective on how the city of Rio de Janeiro and its favelas have (or have not) been changed by all of this attention and activity.

Rafael Fabres

Rafael Fabres

A horse runs away from a Riot Police officer while he patrols during the occupation of a shantytown.

I went to live in a shantytown called Vidigal — but after one month spent making contacts among the local people and the Military Police, it was clear to me that the story had infinite angles and, if I was really going to tell it in depth, I needed more time. I’ve been working on the project, off and on, for the past eight months.

The first angle I covered was the UPP perspective, established through multiple embeds across three months.

The Pacification Police are meant to be a “community police” force, meaning that after the favela is “pacified” and after a UPP center is installed in the neighborhood, the officers are meant to cooperate with the community in order to make police work more efficient, and to act, in a sense, as agents of social development. This scenario, unfortunately (and unsurprisingly), does not work perfectly.

But it’s also important to point out that, from my perspective, the UPP soldiers are generally pretty good guys — those that aren’t violent and extremely aggressive, that is. They are mostly young policemen, curious to see a foreign journalist covering the same places they’re supposed to patrol.

I had worked with soldiers in Afghanistan and Haiti, so had stories to share; soon, we were on the same page. If you work hard with them, at all hours of the day and night, they accept you without much problem.

Covering the story from the perspective of the inhabitants of the shantytowns, meanwhile, has been more complicated and has required a lot more patience. I lived for four months in two favelas (Vidigal and Rocinha). I had to explain to the people who lived there what I was hoping to do with this project, and gradually I gained their trust.

I’m currently working on the story from the perspective of drug dealers, both in the “pacified” and the not-yet-pacified favelas. I’ve gained access through evangelical priests and NGOs, but it is a slow process and, unsurprisingly, it’s far more problematic covering these guys. I spend probably ninety percent of my time on research and trying to make contacts, but without this angle, the project simply won’t be complete.

The question everyone in Rio is asking is whether the Pacification will be effective in the long term: that is, will it modify the dynamics of endemic violence.

According to most statistics, the Pacification has had a positive project, as the numbers relating to violence are decreasing since 2008, when the effort began. But there are also troubling residual effects, like real state speculation, forcible evictions, police abuses and criminals simply moving to other parts of the city. Then there is the widely held belief that the city is simply using the Olympics and the World Cup upper class neighborhoods.

One also has to keep in mind that before Pacification, drug traffickers were the law in the favelas. Robberies, assaults, street fights, or disputes of any kind were dealt with quickly, and brutally, by the dealers. But people in pacified favelas now complain that crime has actually increased, because criminals no longer have to fear being punished by the traffickers.

Despite everything, though, I believe the long-term impact of Pacificacion will be positive. Kids from shantytowns, born in an environment without guns or open drug trafficking, will to a large degree help shape the future of this new Rio de Janeiro.

Rafael Fabrés is a Spanish photojournalist based in Haiti and Brazil. Fabrés is currently raising money to continue his project through

Related Topics: , , , , , , , ,

Latest Posts

New York, New York. United States.October 17th 2014.#Dysturb New York.

Guerrillas in the Streets: The Dysturb Photo Collective Comes to NYC

Dysturb, a collective of photographers, takes to New York City's streets to bring photojournalism directly to the crowd

Read More
CARNIVORE’S DILEMMA PERMITTED USE: This image may be downloaded or is otherwise provided at no charge for one-time use for coverage or promotion of National Geographic magazine dated November 2014 and exclusively in conjunction thereof. No copying, distribution or archiving permitted. Sublicensing, sale or resale is prohibited. REQUIRED CREDIT AND CAPTION: All image uses must bear the copyright notice and be properly credited to the relevant photographer, as shown in this metadata, and must be accompanied by a caption, which makes reference to NGM. Any uses in which the image appears without proper copyright notice, photographer credit and a caption referencing NGM are subject to paid licensing. Mandatory usage requirements:1. Include mandatory photo credit with each image © Brian Finke/National Geographic2. Show the November cover of National Geographic somewhere in the post (credit: National Geographic) unless using only one image - you do not have to show the cover3. Provide a prominent link to: Mention that the images are from "the November issue of National Geographic magazine”Beef is big in Texas. Last year in the state, ten times as many calves were born, 3.85 million, as human babies.At the Big Texan in Amarillo—which offers free rides in a longhorn limo—you get your 72-ounce steak for free ifyou finish it in under an hour, along with the shrimp cocktail, the baked potato, the salad, and the roll.

Photojournalism Daily: Oct. 20, 2014

Courtesy Ginger Miller

#TIMEvets: Share Your Stories and Photos of Inspiring Veterans


Get every new post delivered to your Inbox.

Join 17,510 other followers