Three War Photographers: Feel Fear, Keep Going

Clichés are tricky things. They convey a kind of truth — but can ring hollow. They can sound profound — but once uttered, they’re utterly forgettable. And while often employed to pay tribute to an individual, or to describe a specific profession, some clichés can be applied to a litany of vocations.

When other people run away from danger, they run toward it. They go into battle armed with nothing but courage. Like everyone else, they experience fear — but unlike everyone else, they keep going.

Ultimately, though, there’s one especially odd, defining characteristic about clichés: they endure for a reason. And while some of the assertions above — about running toward danger or experiencing fear — could easily pertain to any number of pursuits, from firefighting to mountain climbing, very few occupations in the world can make those platitudes sound new and meaningful again quite like the job of war photographer.

Ralph Morse—Time & Life Pictures/Getty Images

Here, in a short film by Will Wedig, Jonah Weintraub and Bill Shapiro — made to honor recipients of Time Inc’s prestigious Briton Hadden Lifetime Achievement Award — the profession and the passion of war photography, as practiced across decades by acknowledged masters, get their due.

One of the honorees, LIFE’s Ralph Morse, was sent to the Pacific in World War II as the youngest war correspondent working in that theater. All he managed to accomplish during the conflict was to survive the sinking of a cruiser off of Guadalcanal; make dozens of the most celebrated (and shocking) pictures to come out of the global conflagration; chronicle the liberation of Paris in 1944; and record the German surrender to Eisenhower in 1945. (Morse went on to so devotedly and inventively cover the early days of the Mercury Seven and the Space Race that John Glenn dubbed him the “eighth astronaut,” while LIFE’s long-time managing editor George Hunt once declared that “if LIFE could afford only one photographer, it would have to be Ralph Morse.”)

Larry Burrows—Time & Life Pictures/Getty Images

The late, British-born Larry Burrows distinguished himself covering Southeast Asia from 1962 until his death in 1971. His work, from the searing single image, “Reaching Out” (featuring a wounded Marine desperately trying to comfort a stricken comrade after a fierce 1966 firefight in a landscape that might have given Hieronymus Bosch nightmares) to his great photo essay, “One Ride With Yankee Papa 13,” not only captured the war in Vietnam. For millions of people around the world, Burrows’ pictures encompassed and defined the long, divisive catastrophe.

He and three fellow photojournalists died when their helicopter was shot down during operations in Laos. Larry Burrows was 44.

James Nachtwey for TIME

Finally, there’s James Nachtwey, who has covered civil strife, natural disasters and armed conflicts around the globe for more than three decades. He has seen fellow photographers and friends injured and killed while doing their jobs. He has been wounded himself (in Iraq in 2003, when an insurgent tossed a grenade into a Humvee that he and TIME’s Michael Weisskopf were riding in). He was the subject of the 2001 Oscar-nominated documentary, War Photographer, and is widely regarded as the greatest living photojournalist.

“To see life,” Henry Luce wrote in his now-famous 1936 mission statement for LIFE magazine, delineating what he envisioned as his new venture’s workmanlike method and its lofty aims. “To see the world; to eyewitness great events … to see strange things — machines, armies, multitudes … to see and be amazed; to see and be instructed.”

Across decades, Morse, Burrows and Nachtwey have seen, and have helped us see, the very best and the absolute worst that humanity can offer.

When other people ran from danger, they ran toward it. They went into battle armed with nothing but courage. They experienced fear — and they kept going. These are war photographers.

Ben Cosgrove is the editor of LIFE.com.

Related Topics: , , , ,

Latest Posts

Mg Ko, 20 years old. A Shan farmer with his cow in Lui Pan Sone Village. Kayah State.

Transforming Lives in Burma, One Solar Panel at a Time

In Burma, where only a quarter of the population has access to electricity, solar panels can change lives, as Spanish photographer Ruben Salgado Escudero found out

Read More
Diana Walker—Contour by Getty Images for TIME

An Intimate Portrait of Hillary Clinton in Photographs

LOVED ONE LOST:NAME: Jabril BradleyAGE: 20DOB: 10/6/1990SEX: MaleDATE OF DEATH: 9/1/2011TIME: After MidnightLOCATION: 9th st and Ave of the States, Chester, PACIRCUMSTANCES LEADING UP TO MURDER: Bradley was riding his bike home from a friend’s house on the east side of Chester, September 1, 2011, when an unknown gunman opened fire. He was struck in the back once and continued to ride his bike home. A number of blocks later he collapsed to the ground from blood loss. He bled to death on the street. Bradley’s family claim that he was shot because of mistaken identity. According to his mother, Bradley was supposed to still be in prison. He was serving a sentence for possession of a controlled substance and was allegedly released before his time was up. Within weeks of his murder, the FBI came looking for Bradley at his mothers house, claiming that he got released by mistake. IN PHOTOGRAPH:NAME OF FAMILY MEMBERS: Sister to Jabril Bradley: Danita Harris, 30.Son to Danita Harris: Jah’lil Harris, 3.

Photojournalism Daily: Oct. 23, 2014

Follow

Get every new post delivered to your Inbox.

Join 17,622 other followers