Tim Hetherington in Memoriam

Tim Hetherington
Tim Hetherington
Tim Hetherington (right) and Sebastian Junger (left) at the Restrepo outpost in the Korengal Valley, Afghanistan. Junger and Hetherington jointly directed, filmed and produced the movie 'Restrepo' from June 2007 to January 2010.

Today, the devastating news arrived that Tim Hetherington had been killed in Misratah, Libya. He was many things: a journalist, a photographer, a filmmaker, an artist and friend. He recently won popular acclaim after the documentary Restrepo, which he directed, was nominated for an Oscar. Tim was always trying to pull together the bits and pieces of all the news that was going on around him, to figure out how to follow them through to tell the whole story. He did that with war and, more specifically, with the men who go to war.

I first met Tim in 2006 when he showed me the photographs he took covering the civil war in Liberia. He had his share of grisly war pictures but there was a difference, a thoughtfulness to many of his images: he always revisited the aftermath, pushing himself to find something new long after the media was gone.

So much of his vision comes together in his last photo book Infidel, a project done at the same time as Restrepo. I sat down with Tim in November 2010 to put together this brief video about Infidel and how it documented the life of a U.S. platoon in Afghanistan, operating in the Korengal Valley, one of the most dangerous places on earth. He said that when people think about the “war machine” what comes to mind are images of tanks and apache helicopters, or as he said, “inanimate objects.” But, he said, “I’ve come to realize the war machine is, in fact, very human. Take a group of young men, train them together, put them on the side of a mountain and they will kill and be killed for each other.” His work on Infidel and Restrepo is the most intimate portrayal of men at war that I know; and it is a poignant testament to what Tim wanted to say.

Related: Chris Hondros In Memoriam.

Related Topics:

Latest Posts

A view over the village of Ngomashi, four hours trek over mountains and through thick bush from the end of the nearest road, Aug 14, 2014.

See the Real Impact of War in the Democratic Republic of Congo

Phil Moore, a British photojournalist based in Nairobi, has spent much of the last three years covering the periods of battle and quiet in Democratic Republic of Congo. This is his story.

Read More
William Brown, 23. What issue or cause is on your mind this year? Ebola.

Photojournalism Daily: Sept. 30, 2014

David Taylor Seismic Sensor

Covert Operations: Investigating the Known Unknowns

Follow

Get every new post delivered to your Inbox.

Join 16,767 other followers